2023-11-29 NBA季中赛 老鹰VS骑士

2月18日 22-23赛季英超第24轮 布伦特福德VS水晶宫

73岁摩根弗里曼，再次上演局中局#仪式杀手

　　一名即将退休的侦探与一名非洲研究教授一起追查一名正在执行古老黑魔法练习 Muti 的连环杀手。

潜艇总动员

这天，道歌教练安排了一个任务给水下摩托艇石头两只受训潜水艇——贝贝和与阿力，那就是先将海参们放回珊瑚堆，然后找到一个合适的箱子，去将飞机苏茜运来的鳗鱼运回培训基地。三个小伙伴一开始为了争夺负责人，几乎搞砸了所有事。后来他们认识到自己错了，于是齐心协力终于完成了任务。潜水艇贝贝和阿力这天毕业了，毕业之际，他们回想起自己接受潜艇训练的点点滴滴：为救教练潜到20米、与油妈交换工作……这当中不仅使他们懂得了做事的道理，还令他们收获了可贵的友情。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

夜曲2020美国

朱丽叶（西德妮·斯威尼 Sydney Sweeney 饰）从小就生活在姐姐薇薇安（麦迪森·伊瑟曼 Madison Iseman 饰）的光环之下，薇薇安比她漂亮，比她有才华，比她受欢迎，还考入了她梦寐以求的音乐学院。所有人都坚信薇薇安在音乐方面前途无量，终将功成名就。一次偶然中，朱丽叶捡到了一位自杀的女生遗留下来的乐谱，她演奏了这份乐谱，并且被其中诡异而又优美的旋律所深深吸引。学校正在招募音乐会钢琴独奏的人选，薇薇安显然是胜算最大的那一个，然而，朱丽叶凭借捡到的乐谱将这个机会从姐姐的手中夺走，这亦造成了姐妹反目。之后，朱丽叶感到自己内心的欲望越来越膨胀，她想要得到更多。

红猪

罗森是一战中意大利空军的王牌飞行员，但却被施了魔法变了一头猪。虽然变了猪，但罗森还是继续他的老本行，成了一位赏金猎人，专门打击在亚地里亚海空域作恶的空中劫匪。红猪侠一时威名远扬，令劫匪们闻风丧胆。匪徒们为了对付罗森，请来了超级飞行员卡基斯。卡基斯在于罗森对决中趁他发动机故障将其击落。罗森把飞机送到老朋友比克罗处修理时，遇上了比克罗的孙女菲欧。菲欧帮罗森修好了飞机，两人一起再度翱翔蓝天对付空中劫匪。

强力班

讲述各种各样性格的刑警，通过分析案情一步步破案的过程。This drama outlines the various stories in which detective with strong personalities solve their ways through crimes with different investigative methods and know-hows.

午夜计程车2

《午夜计程车》是优酷土豆自制剧的优秀品牌，目前已经拍摄两季，第一季获得2014艺恩紫勋奖“中国最佳网络剧”、2015骨朵&中国传媒大学网络剧评选“最具人文气质奖”等重量级奖项，第二季12月2日即将在优酷土豆双平台上线。 　　《午夜计程车》第二季，继承《午夜计程车》第一季的暖心风格，由日剧《深夜食堂》原版人马打造，由高鑫，郝云，温心，王佑硕、任言恺、田中千绘、程皓枫、林辰唏等演员主演。 　　第二季的故事背景由上海来到北京，结合时代发展，故事主角也从一位计程车司机变为一位专车司机，深夜北京的斑斓灯光下，他会遭遇谁的悲欢喜乐？治愈系深夜剧《午夜计程车》第二季，用我们的故事温暖这个城市。 　　该剧于2015年12月2日在优酷土豆双平台上线，并采取边拍边播模式。

蜜蜂总动员2007

从外表上看，蜜蜂巴瑞·B·拜森（杰瑞·宋飞 Jerry Seinfeld 配音）和其他的伙伴没有任何区别，但他对待未来却有着自己的想法。从大学毕业后，他和同学被分配到蜂房工业公司，成为一只毕生只能辛勤忙碌、四处采蜜的工蜂。巴瑞不愿过这种一眼就能看的到未来的生活，却似乎无力扭转局面。在第一次采蜜之行时，巴瑞遭遇一连串意外，更无数次险些丢掉性命。他最终在美丽姑娘温妮莎（芮妮·齐薇格 Renée Zellweger 饰）的家中落脚，并和温妮莎成为好朋友。偶然机会，巴瑞发现蜜蜂辛勤工作得来的蜂蜜却被人类所“窃取”，这令他气愤不已，他决定行动起来，保护蜜蜂的果实……

换宿爱情

Run（Gypso饰演）是一位北部姑娘，她将自己的房子开设成民宿，租给游客。她与kloun交往着，kloun去曼谷学习酒店管理，但是他毕业后却不愿意回来找run。Run叫上暗恋自己很久的男闺蜜samue（Toni rakkaen饰演 ）一起去曼谷。他们去kloun在曼谷实习的酒店找kloun，但却发现kloun有了新的女友，Run伤心欲绝...但是他们的爱情却还是遇到了各种阻碍，到底最后会怎样，请关注《换宿爱情》！

萨满：鬼神殿

跟随因鬼神现象而受苦的实际事例者和巫俗人的意识过程，记录了对至今仍留在韩国文化中的萨满教的真实采访的纪录片。