一件玉器引发连环杀人，两包毒品撕破贩毒网格，卧底女警对决跨国杀手……市内歌舞厅等娱乐场所接连发生命案，死者均为事业有成的男，现场没有搏斗痕迹，致命伤在头部，由伤口形状推断不出凶器种类，有女棍儿（当地指漂亮感的女人）出现在现场。公安局文局长（石兆琪饰）认为这几起案件是有预谋的谋杀案，作案凶手是一个老手，虽然凶手为什么杀人的动机不明，但案件的背后肯定有巨大阴谋……夜总会毒品泛滥，已引发多起刑事犯罪，文局长下令尽快行动，查出毒品来源，将毒窝彻底端干净……劫车杀人案中汪码公司120万元现金被抢，致使一死一伤，汪码公司汪总的外甥女当天突然失踪，公路上的杀人现场不是第一现场，而且现场有第三人的血迹，第一现场在什么地方？第三人是谁？
美国海军军官肯尼思·布莱克与未婚妻莎莉·斯蒂芬丝来到印度西海岸，想安静地度假，可是一遇上美丽神秘的莉拉一切都走了样。当莉拉说他们两个就是这个葡萄牙殖民地上（果阿），传说中的一对恋人转世，此二人在五百年前从灯塔跳海殉情时，肯尼思惊讶不己，开始并不肯相信。 不幸的是，莉拉如今嫁给了势力强大，残酷无情的大毒枭，布莱恩·米兰达，奥利弗·拉贝尔率领的国际刑警组织正在秘密调查此人。奥利弗扮成基督教牧师，既要提防当地的腐败警察，又要对付米兰达的手下，阻止他利用航运公司，走私藏在鱼腹之内的可卡因。 米兰达得知肯尼思与妻子的私情之后，开始不择手段地追杀他们。幸有奥利弗出手相救，他们才得以脱身，于是几人合谋在灯塔设下了陷阱。当米兰达带人找到了这对恋人，并与奥利弗率领的警察大打出手时，故事进入了高潮。米兰达将这对恋人逼上了灯塔的顶峰，五百年前季候风来临之时的画面再次重演了，米兰达能复仇成功吗？这对恋人终将再次迈向死亡吗？
Ivy,astrugglingsingerinNewOrleanstrappedinthehiddenunderworldofhereatingdisorder,mustfaceheraddiction-orriskbecomingamonster.
瑞秋·布罗斯纳安将主演亚马逊新片[我是你的女人](I’m Your Woman，暂译)。[爱乐之城]制片人约旦·霍洛维茨将参与本片制作，并与其妻子朱莉·哈特共同撰写剧本，哈特担任本片导演。影片讲述由于丈夫的罪行，珍(布罗斯纳安饰)不得不带着孩子逃亡。随后母子二人的生活与一对男女交织在了一起，形成了一种不太可能的伙伴关系，他们在其中学会了生存以外的事情。该片将于今秋开拍。
故事发生于山雨欲来的1911年即辛亥革命之年，福建莆田城内“六合堂”木雕名家廖氏家族，虽凭借业界公认的高超技艺世承皇恩，但却人丁寥落各怀心事。廖氏家族为宣统皇帝定制的龙椅三件套交货之时，却发现龙椅上的龙眼珠被人为破坏成为“有眼无珠”，廖氏家族面临满门抄斩的滔天大祸。廖府长子廖曦挺身而出勇担罪责，凭借匠心与巧妙构思再造龙珠，平息风波。但觊觎“六合堂”多年的奸邪小人刘天秋等人又屡次出手暗算，为救父亲廖曦只能背负罪名远走他乡。在流亡途中他在泉州遇到了红颜知己梅姨。为了重振廖家门楣、让精美的木雕技艺为世人所知，廖曦与梅姨这对相知相惜的伴侣，与官僚、军阀、日本侵略者等各方势力巧妙周旋、斗智斗勇，谱写了一曲可歌可泣的工匠精神之诗。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
大白鲨袭击了一艘捕鱼船，在船体上撞出了一个洞。由于距离海岸线几英里远，船上的人们被迫为生存而战，否则他们就会被淹死或者被生吞活剥。
郭子、潇潇、张扬、麻杆儿四人在大学时是死党，郭子一直想着跟大家一起创业，张扬喜欢音乐，麻杆儿一直暗恋着校花，毕业前女神却被好友郭子表白，毕业后大家各奔东西,潇潇因对某个人的念念不忘，又把四人聚在一起创业……
佟之元（黄圣依 饰）被父母寄予厚望送往英国深造，学成归来之后，原准备在事业上大展一番拳脚的佟之元，却遭到了接连的打击。父亲事业受创被害入狱，母亲经受不住这巨大的打击选择了自杀。一时之间，佟之元失去了一切。于是，她隐姓埋名前往泰国，并且发誓一定会有一天再回到这里，亲手惩戒那些陷害过她们的人。 陈超（邓安奇 饰）是佟之元青梅竹马的玩伴，无论是佟家出事前还是出事后，他都不离不弃的守候在佟之元的身边，无奈落花有意流水无情。在泰国，佟之元意外邂逅了同父异母的两兄弟方天丘（高云翔 饰）和方天续（关智斌 饰），两人先后爱上了坚强的佟之元。
民国初年，河北保定。 称霸一方的尚武馆馆主马大鹏（林威）为在国术大赛中夺得武林盟主地位，悉心培养其子马耀祖（林伟）；豪杰义气的四方镖局主人霍强（李子雄）意将正宗“铁砂掌”传于其子霍金锁（孙祖扬），却失望于他急强好斗、心气浮躁。 霍强的师兄陈二爷（午马）将爱徒章铁柱（洪天明）送来四方镖局深造，一段时间的观察，霍强认定他是可塑之才，决定将“铁砂掌”相传，这引起霍金锁的强烈不满与嫉恨，他开始暗中结交马大鹏，以铲除章铁柱。马大鹏暗中窃喜，他的棋子尚有被霍强逐出师门的徒弟韩虎（黄子扬），后者曾妄想盗取霍强的“铁砂掌”掌谱，流落江湖时，他结识章铁柱。
故事讲述的是一位叫“Nalin”的女人怀孕产下双胞胎，而且还是龙凤胎的故事！“Nalin”知道她其中一个孩子是男孩后决定自己一个人保守生了男孩这个秘密，这样做也是为了保护孩子不受她曾经在那个家庭里经历过的痛苦。 她为两个孩子取名 “Kwanoei” 和“Kwanma”，让外界的人都觉得他们是女生双胞胎，还要求Kwanoei不能说出自己的真实性别。直到两个孩子长大，开始与之前的家庭有所牵扯，妈妈“Nalin”刻意保守的尘封已久的秘密并不想让Kwanoei 和 Kwanma知道！
电视台 BBC 2首播日期 2013-09-24（转自Rhs字幕组）喜剧惊悚片，讲诉一对废材办公室小职员无意间卷入一场致命犯罪阴谋中。
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